IN 1995, SUFFERED MYSTERIOUS INSPIRATION, HE BEGINS TO PAINT HIS FIRST CANVAS.
FOR FIVE YEARS HE DERIBELATERY REMAINS IN THE SHADE,
AND IN 2000 HE OFFICIALLY ENTERS IN THE WORLD OF THE ART WITH
A PERSONAL EXHIBITION AT THE GALLERY "LA BACHECA" IN CAGLIARI, ITALY.
SUB SEQUENTLY HE TAKES PARTS TO SOME INIZIATIVES, BUT IN 2001 HE IS FORCED TO LEAVE
FOR
PERSONAL MOTIVES.
IN 2007 HE TAKES BACK THE PRODUCTION: HE SIGNS OWN ABSTRACT PAINTINGS WITH THE
NAME GOA, AND HE BUILDS IN VILLASIMIUS, A SPACE FOR SHOWS: THE "GOA'S STUDY".
IN 2009 HE OPENS IN VILLASIMIUS, HIS PERSONAL SHOWROOM : THE "GOA GALLERY". THE ARTIST IS IN THE CONSTANT SEARCH FOR NEW IDEAS, TEST AND PERFECT
THE TECHIQUE OF THE ACTION PAINTING AND THE DRIPPING FOR OFFER TO THE PUBLIC A GENEROUS
VARIETY OF PAINTINGS. IN THIS WAY IS TOTALLY GONE IN THE OPPOSITE DIRECTION.....
AN ARTIST IS CONSIDERED "MATURE" WHEN HE BEGAN TO PAINT A PICTURES ALL THE SAME
.... SAY SO HAS FOUND ITS WAY. SEE CUTS OF THE MASTER "FONTANA" OR THE BAG OF "BURRI".
OK, BUT NOW I WILL SPEAK FOR THEMSELVES. BEAUTIFUL OKAY, BUT ONE, TWO, THREE WORKS
MAX. THEN ENOUGH. THAT BALL!, ONE CAN NOT DO 100 WORKS ALL THE SAME ONE TO ANOTHER.
I SEE IT AS A CASTRATION ON A MENTAL LEVEL. WHAT I WOULD LIKE TO UNDERSTAND AND
THEY REALLY HAVE FOUND THEIR WAY OR THE ROAD OF EASY NUTSHELL. ME
DO MY USUAL AND PROVEN PAINTINGS AND TO SELL A COLLECTOR THAT DOES NOT SEE THE TIME
TO CLOSE IN SAFE. ART TODAY IS AS THE FINANCIAL MARKET. YOU BUY WHAT YOU IS, NOT
WHAT YOU DESERVE. IS A SPECULATION THAT PUTS A TIDE OF JUNK. YOU CAN GO AT ALL MODERN MUSEUM OF ART
FOR SEE A SCULPTURES OR CANVASES THAT MAKE LAUGH (OR CRY!). I'M GONE PERSONALLY
TO SEE THIS PAINTINGS. I AM JUST GONE FROM A SHORT
TIME AT THE MUSEUM OF MODERN ART 900 IN MILAN, IN FRONT
OF THE CATHEDRAL. NAMES FROM HIGH LISTING: MORANDI, BURRI,
FONTANA AND
OTHERS. THE MUSEUM WAS BEAUTIFUL BUT THE WORKS WERE ... BUT!!! THE MODERN
SCULPTURE WERE THEN VERY BAD. THE WORST, A CROSS OF STEEL: 2 SMALL CYLINDRICAL TUBES LONG 4 METERS, CROSS EACH ..... I WOULD HAVE TO HEAR ALL THE BEAUTIFUL WORDS THAT ART'S CRITICAL HAD SPENT FOR THE CROSS. THE "PAINTING" WORST: ONE LINE ABOUT 2 CM. THICK, AND LONG 4 METERS DESIGNED ON THE WALL. SAY, WE UNDERSTAND? THIS "PAINTER" THAT
I HAVEN'T EVEN READ THE NAME, TURN THE OTHER FROM A MUSEUM (PAID VERY EURO)
TO DRAW HIS BEAUTIFUL STRAIGHT LINE ON A WALL. GENTLEMEN, THIS IS THE CONTEMPORARY
ART. ARE ENDED THE GOOD TIME WHEN YOU WENT TO THE MUSEUM
TO PROVIDE
IN FULL SILENCE A WORK . I LOOKED ABOVE THE FACES OF PEOPLE WHO VISIT THE MUSEUM WITH ME.
SOME LAUGHED, WHO DOES NOT UNDERSTAND, WHO TURN UP THEIR NOSES. I HOPE TO CONTINUE
TO BE AS I'M TODAY ..... ALL MY PAINTINGS ARE DIFFERENT FROM
ALL MY OTHERS. THIS WHY
IS WHEN I PAINTED A CANVAS DRAIN OVER THE PAINTING
MY EMOTIONS AND MY MOOD. IF I'M HAD
TO ALWAYS THE SAME TYPE OF PAINTING WOULD SEE AS A DEFEAT, AS A BRAIN DEATH, AS A DECEPTION
TO THE BUYER. FOR ME THIS IS HAVE FOUND THE RIGHT WAY. THE DESIRE TO MUST HANG ON AND NOT GIVE UP OF THE ART-MARKET
BLACKMAIL, THE DESIRE TO EXPERIMENT, THE DESIRE TO GIVE
A LIFE TO A PAINTINGS ALWAYS DIFFERENT ...... THE DESIRE TO BE FREE.
Fabrizio Sannaon
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